TRANSLATION AND RUIN: BIBLIOGRAPHY
PRIMARY TEXTS
-Henri
CHAMARD (ed.), Joachim Du Bellay. Deffence
et Illustration de la Langue Française. 4th ed. (Paris: M. Didier, 1970)
-E. DROZ (intro.), Les
Antiquitez de Rome; et, Les Regrets (Genève: Droz, 1947)
-Edwin
GREENLAW et al (eds.), The works of Edmund Spenser: a Variorum
Edition (Baltimore: John Hopkins Press, 1932-57) 11 Vols.
-Kathleen
M. HALL and Margaret B. WELLS, Du Bellay. Poems (London: Grant &
Cutler, 1985)
-F. JOUKOVSKY
(ed.), Les Antiquitez de Rome;
Les Regrets (Paris: Garnier-Flammarion, 1971)
-H. LAWTON (ed), Poems,
by Joachim Du Bellay (Oxford : Blackwell,
1972)
-Giovanni MARCHI
(transl.), I sonetti romani (Roma: Bulzoni, 1974)
-Richard
A. McCABE (ed.), Edmund Spenser. The Shorter Poems (London: Penguin
Classics, 1999)
-Frederick Morgan PADELFORD (ed.), Axiochus
(Baltimore: John Hopkins Press, 1934)
-Jacques PELETIER du Mans, L’Amour des Amours, ed. Jean-Charles
Monferran (Paris: Société des Textes Français Modernes, 1996)
- Œuvres
Poétiques, ed. Paul Laumonier (Paris, 1904; Genève: Slatkine Reprints,
1970)
-W. RENWICK (ed.), Complaints (London: The Scholartis
Press, 1928)
-Jacques ROUBAUD (ed.), Soleil du Soleil: Le sonnet français de
Marot à Malherbe (Paris: P.O.L., 1990)
-V.L. SAULNIER (ed.), Les Antiquitez de Rome de Joachim du Bellay (Paris:
Centre de documentation universitaire, 1950 [1971])
-J.
Joliffe and M.A. SCREECH (eds.), Les Regrets et autres Œuvres poëtiques suivis
des Antiquitez de Rome plus un Songe (Genève: Droz, 1966)
-Norman SHAPIRO (transl.), Lyrics
of the French Renaissance (
-C.H.
SISSON (transl.), The R egrets (Manchester: Carcanet, 1984)
-Malcolm C. SMITH (intro.), Antiquitez
de Rome/ Ruines of
-Edmund
SPENSER, Complaints, containing sundrie small poems of the world’s vanitie
(Amsterdam;New York: Da Capo Press Facsimile, 1970)
-George
Hugo TUCKER (ed.), Les Regrets et autres Œuvres
Poétiques de Joachim du Bellay (
SECONDARY TEXTS
- Judith H. ANDERSON, Donald
CHENEY, David A. RICHARDSON (eds.), Spenser’s Life and the Subject of
Biography (Amherst: University of Massachussetts Press, 1996)
-Maurice ANDRIEUX, Les Français à
Rome (Paris: Fayard, 1968)
-Margaret ASTON, ‘English ruins and
English history: the Dissolution and sense of the past,’ JWCI 36 (1973), 231-255.
-Leonard
BARKEN, ‘Ruins and Visions: Spenser, Pictures,
-M. BATH, ‘Verse Form &
Pictorial Space in Van der Noot’s Theatre
for Worldlings’ in K.J. Höltgen et al.,
eds., Word and visual image: studies in
the interaction of English literature and the visual arts (Erlangen, 1988),
73-105.
-Yvonne BELLENGER (ed), Du Bellay et ses
sonnets romains. Études sur les Regrets et les Antiquitez de Rome, réunies
avec la collaboration de Jean Balsamo (Paris: H. Champion, 1994).
- Du
Bellay: ses “Regrets” qu’il fit dans Rome: étude et documentation (Paris:
A.-G. Nizet, 1975)
-C. BÉNÉ, ‘Joachim Du
Bellay devant le destin de la Rome antique’, Actes du 9e Congrès de l’Association Guillaume Budé (Paris, 1975),
II, pp. 546-555.
-S. BOKDAM-HUOT, ‘La
forme du “songe” dans la poésie religieuse au seizième siècle’ in F.
Charpentier ed. (1990).
-J.C. BONDANELLA, Petrarch’s
Visions and their Renaissance Analogues (Madrid: Jose Porrua
Turanzas, 1978)
-P. BRACHIN, ‘Un
disciple de Ronsard, J. van der Noot, patrice d’Anvers’, Archives des Lettres Modernes III, 24, 1959.
-J.R. BRINK, ‘Who Fashioned
Edmund Spenser?: The Textual History of Complaints’,
SP 88 (1991), pp. 153-168.
-Richard
Danson BROWN, ‘Forming the “First Garland of Free Poësie”: Spenser’s Dialogue
with Du Bellay in Ruines of Rome,’ Translation and Literature 7:1
(1998)
- ‘The
New Poet’: Novelty and Tradition in Spenser’s Complaints (Liverpool:
University Press, 1999)
-Charles BRUNEAU, ‘La Phrase des Traducteurs au XVIme siècle’ in
Mélanges d’Histoire Littéraire offerts à Henri Chamard (Paris: Nizet,
1951) 275-84
-David W. BURCHMORE, ‘The
Image of the Centre in Colin Clouts Come Home Again,’ RES n.s. 28
(1977), pp. 393-406.
-Peter BURKE, The Renaissance
Sense of the Past (London: E. Arnold, 1969)
-
-H. CHAMARD, Histoire de la
Pléiade, 4v. (Paris, 1939-1940), II:229-259.
-F.M. CHAMBERS, ‘Lucan
in the Antiquitez de Rome’, PMLA 60 (1945), pp. 937-948.
-F. CHARPENTIER (ed.), Le
Songe à la Renaissance (Saint-Étienne: Université de Saint-Etienne, 1990)
-R.J.
CLEMENTS, ‘Iconography on the Nature and Inspiration of Poetry in Renaissance Emblem
Literature’, PMLA
70 (1955), pp. 781-804.
-Dorothy
Gabe COLEMAN, ‘Allusiveness in the Antiquitez de Rome’, L’Esprit
Créateur 19:3 (1979), pp. 3-11.
- The Chaste Muse. A Study of Joachim Du
Bellay’s Poetry (Leiden: E.J. Brill, 1980)
- The
Gallo-Roman Muse: Aspects of Roman Literary Tradition in
-K. COLLINS, ‘Les Antiquitez de
Rome: Du Bellay crosses the Rubicon’, 293-300 in Ramsey (ed.) 1982
-R. COOPER, ‘Poetry in ruins: the literary context
of Du Bellay’s cycles on
-David COWLING, David,
Article on ‘Du Bellay’ in Encyclopedia of
Literary Translation into English ed. Olive
Classe. 2 Vols. (London: Fitzroy Dearborn, 2000), I:384-5.
-Ingrid G. DAEMMRICH, ‘The Ruins Motif as Artistic
Device in French Literature,’ Journal of Aesthetics and Art Criticism
30:4 (1972) pp.449-57 and 31:1 (1972) pp. 31-41.
-R. DERCHE, ‘Explication de texts: J. Du Bellay: Les Antiquitez de Rome, III’, Information
littéraire 25 (1973), pp.232-238.
-Geneviève DEMERSON,
‘Les obsessions linguistiques de Joachim du Bellay’ in Acta conventus neo-latini Turonensis, ed. J.-C. Margolin (Paris,
1980), 513-527.
- ‘Joachim
Du Bellay et ses deux muses’ [on Lloyd-Jones’s article], Bulletin de l’Association d’Étude sur l’Humanisme, la Réforme et la
Renaissance, 13 (1981), pp. 35-40.
- ‘Le
Songe de J. Du Bellay et le sens des recueils romains’ in Charpentier (ed.)
1990.
-G. DICKINSON, Du Bellay in Rome
(Leiden, 1960).
-Simone DORANGEON, ‘Spenser, traducteur de Du Bellay’ in Actes du Colloque International d’Angers du
26 au 29 mai 1989, ed. Georges Cesbron (Angers: Presse Université d’Angers,
1990), 497-508.
-J.A. VAN DORSTEN, The radical
arts: first decade of an Elizabethan Renaissance (Leiden, London, 1970)
VII, ii, ‘Spenser’s Theatre
translation’, pp.75-85.
- ‘A
Theatre for Worldlings’ in SpE p.685
- ‘Complaints:
Visions of Bellay’ in SpE pp. 187-88
- ‘Noot,
Jan van der’ in SpE pp. 511-512
-W.D.
ELCOCK, ‘English Indifference to Du Bellay’s Regrets’ in MLR 46
(1951), pp.175-184.
-O.F. EMERSON,
‘Spenser, Lady Carey, and the Complaints Volume,’ PMLA 32 (1917),
306-322.
-Joan EVANS, A History of the Society of
Antiquaries (Oxford: University Press, 1956)
-M.W.
FERGUSON, ‘The Exile’s Defense: DuBellay’s La Deffense de la langue
françoyse,’ PMLA 93 :2 (1978), pp. 275-89.
- ‘“The
Afflatus of Ruin”: Meditations on
- ‘Du
Bellay, Joachim’ in SpE pp. 83-85
- ‘Complaints:
Ruines of Rome: by Bellay’ in SpE pp. 185-186
-M.-M. FONTAINE, ‘Le système des Antiquitez
de Du Bellay: L’alternance entre décasyllabes et alexandrins dans un recueil de
sonnets’, Le sonnet à la Renaissance des
origines au XVIe siècle (Paris, 1986), 67-81.
-L. FORSTER, ‘The translator of the Theatre
for Worldlings’, ES 48 (1967),
pp. 27-34.
-L.S.
FRIEDLAND, ‘The illustrations in The
Theatre for Worldlings’, The
Huntington Library Quarterly 19 (1956), pp. 107-120.
-J. FUZIER, ‘Spenser,
traducteur du Songe de Du Bellay’, Bulletin de l’Association d’Étude sur
l’Humanisme, la Réforme et la Renaissance 15 (1982), pp. 96-101.
-G. GADOFFRE, ‘Histoire et destin dans les Antiquitez de Rome’ in his Du
Bellay et le sacré (Paris : Gallimard, 1978), pp. 85-116. Also ‘Le message codé du Songe’, pp. 151-182.
-R. GALLAND, ‘Un poète
errant de la Renaissance: Jean van der Noot et l’Angleterre’, Revue de Littérature comparée 2 (1922),
pp. 337-350.
-C. GARAUD, ‘Remarques
sur le thème des ruines dans la littérature chrétienne’, Phenix 20 (1966), pp. 148-158.
-A.L. GORDON, ‘Styles of absence and presence: the Antiquitez and Regrets’, in C.M. Grisé and C.D.E. Tolton (eds.), Crossroads and perspectives: French
literature of the Renaissance (Genève, 1986), 21-30.
-A. GRAF, Roma nella memoria e nelle imaginazioni del
medio evo (Torino, 1915)
-T.M.
GREENE, The Light in
-Robert
-Andrew
HADFIELD (ed.), The
-A.C. HAMILTON (Gen. Ed.), The Spenser
Encyclopedia (London: Routledge, 1990)
-A.
J. HARPER, ‘On the development of a poetic language in
- Time
and Change: essays on German and European literature (Frankfurt am Main, 1982), pp.5-27.
-Peter
S. HAWKINS, ‘
-M.
HEATH, ‘Les Antiquitez de Rome
X-XII’, French Studies Bulletin 28
(1988), pp.16-17.
-W.S. HECKSCHER, Die Romruinen, Die geistigen Voraussetzung
ihrer Wertung im Mittelalter und in der Renaissance (Würzburg, 1936).
-Theo
HERMANS, ‘Metaphor and Imagery in the Renaissance Discourse on Translation’ in
Hermans (ed.), The Manipulation of Literature (London: Croom Helm,
1985), 103-35.
-A.K.
HIEATT, ‘The genesis of Shakespeare’s Sonnets:
Spenser’s Ruines of Rome: by Bellay’,
PMLA 98 (1983), pp. 800-814.
-Denis
HOLLIER (ed.), A New History of French Literature (Cambridge, Mass:
Harvard University Press, 1989)
-Thomas
R. HYDE, ‘Vision, Poetry, and Authority in Spenser’, ELR 13 (1983), pp. 127-145.
-H. INGMAN, ‘Du Bellay and
the language of alchemy: the Songe’, MLR 82 (1987) pp. 844-853.
-A.
JANOWITZ, England’s Ruins: Poetic Purpose
and the National Landscape (1990).
-Philip JACKS, The Antiquarian and the Myth of
Antiquity: the origins of
-Max JASINSKI, Histoire du Sonnet en France (Douai, H. Brugère: A.
Dalsheimer, 1903)
-J. JOLIFFE, ‘Further Notes on Du
Bellay’, BHR 28 (1966), pp. 112-122.
-F. JOUKOVSKY, La Gloire dans la poésie française et néolatine du XVIe
siècle (Genève: Droz, 1969)
-R.A.
KATZ, ‘The Collapse of the City: The “Vision” of the Antiquités de Rome’,
L’Esprit Créateur 19:3 (1979), pp. 12-20.
- The ordered text: the sonnet sequences of Du
Bellay (New York, 1985)
-P. DE LAJARTE, ‘Formes
et significations dans les Antiquitez de
Rome de Du Bellay’, in P.G. Castex et
al., Mélanges sur la littérature de la Renaissance à la mémoire de V.L.
Saulnier (Genève, 1984), 727-734.
-K. LLOYD-JONES,
‘L’originalité de la vision romaine chez Du Bellay’, Bulletin de l’Association d’Étude sur l’Humanisme, la Réforme et la
Renaissance, 12 (1980), pp.13-21.
- ‘Du
Bellay’s journey from Roma vetus to La
-David LOWENTHAL, The Past is a Foreign Country
(Cambridge: University Press, 1985)
-Margaret McGOWAN, The Vision of
-Thomas MCFARLAND, Romanticism and the Forms of
Ruin: Wordsworth, Coleridge and modalities of fragmentation (Princeton,
N.J.: Princeton University Press, 1981)
-I. D. MCFARLANE, ‘Les
réseaux d’images dans l’œuvre de Joachim Du Bellay’, in Textes et intertexts: Etudes sur le XVIe siècle pour Alfred Glauser,
ed. F. Gray and M. Tetel (
-Rose MACAULAY, The Pleasure of Ruins (
-E. MACPHAIL, ‘The Roman
tomb or the image of the tomb in Du Bellay’s Antiquitez’, Bibliothèque d’Humanisme
et Renaissance 48 (1986), pp.359-372.
- The Voyage to
-L.
MANLEY, ‘Spenser and the city: the minor poems’, MLQ 43 (1982), pp. 203-227.
-G. MARCHI, Il mito di Roma in Francia (Roma, 1978)
--Paul
M. MARTIN, ‘Les Rome de Joachim du Bellay, à travers les
Antiquités de Rome et les Regrets,’ Etudes Classiques 51
(1983), pp.133-150
-Hassan MELEHY, ‘Spenser and Du Bellay: Translation, Imitation, Ruin’, CLS
40:4 (2003), pp. 415-38.
-R. MORTIER, La poétique des ruines en France, ses
origines, ses variations de la Renaissance à Victor Hugo (Genève, 1974)
-Jan
van der NOOT, A Theatre for Worldlings,
in P. Daly et al., eds., The English emblem tradition, Vol. 1
(Toronto, 1988)
-Michael
O’CONNELL, ‘ “Astrophel”: Spenser’s Double Elegy,’ SEL 11:1 (1971),
pp.27-35.
-Emile PICOT, Les
Français Italianisants au XVIe Siècle. 2 Vols. (Paris: H. Champion,
1906-07)
-W.J.B. PIENAAR, ‘Edmund
Spenser and Jonker van der Noot’, ES 8
(1926), pp. 33-44, 67-76.
-G.W. PIGMAN III, ‘Du Bellay’s ambivalence towards
-S.M. POLINER, ‘Du
Bellay’s Songe: strategies of deceit,
poetics of vision’, Bibliothèque
d’Humanisme et Renaissance 43 (1981), pp.509-525.
- Anne Lake PRESCOTT, French poets and the English Renaissance: studies in fame and
transformation (New Haven, 1978), pp. 46-52.
- ‘French
Renaissance Literature’ in SpE pp. 320-321
- ‘Du
Bellay in Renaissance England: Recent Work on Translation and Response’ in Oeuvres et Critiques 20:1 (1995),
pp.121-128. –British Library
- ‘Spenser
(Re)Reading du Bellay: Chronology and Literary Response’ in Anderson et al
(eds.) 1996, 131-45.
-M. QUAINTON, ‘Morte peinture and peinture vivante in Les
Antiquitez de Rome and Les
Regrets’, Renaissance Studies 3 (1989), pp.167-177.
-P.A.
RAMSEY (ed.),
-C.J. RASMUSSEN,
‘“Quietnesse of minde”: A Theatre for
Worldlings as a Protestant poetics’, Spenser
Studies 1 (1980), pp. 3-27.
-W.A. REBHORN, ‘Du Bellay’s imperial mistress: Les Antiquitez de Rome as petrarchist sonnet sequence’, Renaissance Quarterly 33 (1980), pp. 609-622.
- RENWICK, ‘Mulcaster
and Du Bellay,’ MLR 17 (1922), pp.282-6.
-François RIGOLOT, ‘Du
Bellay et la Poésie du Refus,’ BHR 36 (1974), pp.489-502
-D.
RUSSELL, ‘Du Bellay’s emblematic vision of
-V.L. SAULNIER,
‘Commentaires sur les Antiquitez
de Rome’, Bibliothèque d’Humanisme et
Renaissance 12 (1950), pp. 114-143
- Du Bellay, l’homme et l’œuvre (Paris,
1951)
-W. REHM, Europäische Romdichtung
(München, 1960)
- Der Untergang Roms im
abendlåndischen Denken (Darmstadt, 1930) (especially
VI, ‘Zur Entstehung des Dekadenzbegriffs in Frankreich’, pp.82-92).
-Michael S. ROTH, Irresistible Decay: Ruins
Reclaimed (Los Angeles, CA: Getty Research Institute, 1997)
-André SIX, ‘Explication Française : Du Bellay, Antiquités de
Rome – Sonnet III’, Romance Notes 8 (1967), 281-84
-A. ROUBICHOU-STRETZ, La vision de l’histoire dans l’œuvre de la
Pléiade (Paris, 1973)
-H.
STEIN, Studies in Spenser’s ‘Complaints’
(New York, 1934)
-Kerri
Lynne THOMSEN, ‘A Note on Spenser’s Translation of Culex,’ Spenser
Studies 12 (1991), pp.205-6.
-G.H. TUCKER, ‘Sur les Elogia (1553) de Janus Vitalis et les Antiquitez de Rome de Joachim du
Bellay’, Bibliothèque d’Humanisme et
Renaissance 47 (1985), pp. 103-112.
- The
poet’s Odyssey: Joachim Du Bellay and the ‘Antiquitez de Rome’ (Oxford: Clarendon Press, 1990)
-A.H.
UPHAM, French Influence in English
Literature (New York: Columbia University Press, 1908) – Appendix A, list
of translations into English 1556-1659.
-Joseph VIANEY, ‘Les Antiquitez de Rome, leurs sources
latines et italiennes’, Bulletin italien
4e série, 1 (1901), pp.187-199.
- Le
pétrarquisme en France au XVIe siècle (Genève: Slatkine Reprints, 1969
[1909]), esp. pp. 317-36.
-Bruce W. WARDROPPER, ‘The Poetry of Ruins in the
Golden Age,’ Revista Hispánica Moderna 35:4 (1969), pp.295-305.
-Roberto WEISS, The Renaissance Discovery of
Classical Antiquity (Oxford: Blackwell, 1969)
-Margaret Brady WELLS, ‘Du Bellay’s sonnet sequence Songe,’
French Studies 26 (1972), pp.1-8.
- ‘What did Du
Bellay understand by ‘Translation’? Forum for Modern Language Studies
16:2 (1980), pp.175-85
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